Moorhouse Photo Collection: Part 1
Exploring the photographs of Lee Moorhouse (1850–1926), a prominent 19th-century photographer, U.S. Indian agent, and businessman based in Pendleton, Oregon. Moorhouse is best known for his extensive documentation of Native American life in the Pacific Northwest, but his work also extends to capturing homes, buildings, and landscapes of the era. These images provide valuable insights into domestic and architectural styles, as well as community life during the late 19th and early 20th centuries.
This study will focus on three of Moorhouse’s photographs: two homes and one interior, each unrelated to the others. By examining these images, we aim to gain a deeper understanding of the historical context and stylistic elements of the period.
This striking home is painted in a vibrant polychrome paint scheme. While it lacks a front porch, it features an enclosed vestibule. Vestibules are particularly effective at reducing drafts by creating a double-door barrier, adding both functionality and charm to the home’s design.
Also visible is an old wooden gutter system, complete with an ornate end piece that adds to the home’s charm. Two wires run along the exterior of the house—any guesses as to their purpose?
What makes this era so fascinating is the emphasis on decorative elements, a focus that seems to have been lost in modern architecture. Another noteworthy feature is the brackets, which are painted in alternating colors, adding even more character to the design.
The Lee Moorhouse Collection Chapters:
The Moorhouse Collection: Part 1
The Moorhouse Collection: Part 2
The Moorhouse Collection: Part 3





















